The wider picture
Castle Howard, a masterpiece of English Baroque architecture, has launched an exhibition titled “Staging the Baroque: Vanbrugh at Castle Howard” on March 26, 2026. This significant event commemorates the 300th anniversary of the death of its architect, Sir John Vanbrugh, who passed away on the same date in 1726. Renowned for his bold and theatrical designs, Vanbrugh’s work at Castle Howard remains a testament to his genius and creativity.
The exhibition features a collection of original letters, 18th-century editions of Vanbrugh’s plays, and engravings from Vitruvius Britannicus, offering visitors a unique insight into the life and works of the celebrated architect. A large-scale model of the Castle Howard landscape is also on display, allowing guests to appreciate the harmonious relationship between the architecture and its surrounding environment.
In a statement, Nicholas and Victoria Howard expressed their pride in celebrating Vanbrugh’s vision, stating, “It was Vanbrugh’s vision that brought Castle Howard to life, and now the House has the honour of celebrating its creator.” This sentiment is echoed by Roz Barr, who emphasized the exhibition’s aim to highlight the beauty and significance of Vanbrugh’s work, saying, “This exhibition celebrates the life and works of John Vanbrugh and the beauty and significance of his work at Castle Howard.”
As part of the broader program for Vanbrugh’s tercentenary year, the exhibition will include talks, performances, and artist responses. Notably, renowned artist Es Devlin is set to unveil a new installation in the Temple of the Four Winds in June 2026, further enriching the cultural offerings at Castle Howard.
The Tapestry Drawing Room, recently renovated after suffering a fire in the 1940s, stands as a symbol of resilience and dedication to preserving Vanbrugh’s legacy. Observers note that the exhibition encourages visitors to explore the grounds and appreciate the impact of the house, with its grand elevations and imposing dome, against a backdrop of trees, water, sculpture, and other buildings such as the Temple of the Four Winds.
Sir Charles Saumarez Smith remarked on the renewed interest in Vanbrugh’s work, stating, “Five years ago, I thought no-one was interested in Vanbrugh. Now, people are recognising his originality.” This resurgence in appreciation highlights the enduring relevance of Vanbrugh’s contributions to architecture and the arts.
As the exhibition unfolds, it is expected to draw significant attention from both locals and tourists, eager to engage with the rich history and artistry that Castle Howard embodies. The event not only serves as a tribute to Sir John Vanbrugh but also reinforces Castle Howard’s status as a vital cultural landmark in North Yorkshire.